翻訳と辞書
Words near each other
・ Let the Music Take You
・ Let the Night In
・ Let the Northern Lights Erase Your Name
・ Let the Ocean Take Me
・ Let the Old Dreams Die
・ Let the People Decide
・ Let the People Sing
・ Let the People Sing (album)
・ Let the People Sing (film)
・ Let the People Sing (novel)
・ Let the People Sing (song)
・ Let the Peoples Sing
・ Let the Picture Paint Itself
・ Let the Power Fall
・ Let the Praises Ring
Let the Rhythm Hit 'Em
・ Let the Rhythm Pump
・ Let the Right One In
・ Let the Right One In (film)
・ Let the Right One In (franchise)
・ Let the Right One In (novel)
・ Let the Right One In (The Vampire Diaries)
・ Let the River Flow with Darrell Evans
・ Let the River Run
・ Let the Road
・ Let the Road Pave Itself
・ Let The Season In
・ Let the Season Take Wing
・ Let the Sin Begin
・ Let the Snakes Crinkle Their Heads to Death


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Let the Rhythm Hit 'Em : ウィキペディア英語版
Let the Rhythm Hit 'Em


''Let the Rhythm Hit ’Em'' is the third album by rap duo Eric B. & Rakim, released in 1990. The group's sound develops further, with Rakim adopting a deeper, more aggressive tone of voice, and more mature and serious subject matter. Musically, the production ranges from smoother soulful tracks such as "In the Ghetto" to the hard-edged assault of the title track "Let the Rhythm Hit ’Em."
Despite the fact that it didn't produce any hit singles as popular as the duo's previous albums, it is considered by many to be their most coherent album, and is one of only a few rap albums that have received a 5-mic rating when it was reviewed in ''The Source'' Magazine.
In 1998, the album was selected as one of ''The Source's'' 100 Best Rap Albums.
The back cover features a dedication to the memories of Rakim's father William and producer Paul C.(), who had worked on many of the album's tracks before his murder in July 1989. Paul's protégé Large Professor completed his work. Neither receive credit in the album's notes.〔()〕
==Production credits==
Much like past Eric B. & Rakim albums, production was credited to the duo. For this album however, production was supposed to be handled by engineer Paul C. Because of his murder in 1989, his protégé, Large Professor (still an unknown beatmaker from Queens who was still in high school) was called upon to complete the album's beats. Large Professor confirmed that Paul did all of the songs "Run for Cover", "Untouchables" and co-produced the title track. On his own contributions, Large Professor confirmed that he did all of "In the Ghetto" based around a sample Paul had given him, the drum programming for "No Omega", and "Step Back". The rest of the production is assumed to have been handled by Rakim, his brother Stevie Blass Griffin and the album engineer, Patrick Adams. Rakim confirmed that Paul C also produced "Keep 'Em Eager to Listen" and "Set 'Em Straight". Rakim produced "No Omega" based on a sample that Paul had given him. The bonus track on the CD version, a remix of the title track, was produced by DJ Mark the 45 King, who had previously done some beats for Eric B. & Rakim's second album, Follow the Leader. Because of his involvement in the production, Large Professor was chosen by Eric B as a ghost producer for Kool G Rap & DJ Polo's second album, Wanted: Dead or Alive.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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